In the 50 years since equal rights for women were enshrined in UK law, the campaigners have been reduced to caricatures, or forgotten. But their struggle is worth remembering

Celia Brayfield was at her desk in the Femail section of the Daily Mail’s Fleet Street office when an editor called her over. It was July and Wimbledon had started. “He said: ‘We want you to go down and get into the women’s changing rooms and report on lesbian behaviour.’ One didn’t normally swear at that time but I declined. That was the attitude then,” she told me.

From the late 1960s until the early 70s, Brayfield was one of a small group of female journalists working on women’s pages in newspapers. “We were dealing with everyday sexism on an unbelievable scale,” she said. “You learned to wear trousers or take the lift because if you took the stairs someone would try to look up your skirt. But then you couldn’t go to a lot of press conference venues in trousers. In the Savoy, for example, women in trousers weren’t allowed.”

The racism, the predatory politics, the banality and cruelty: we struggle to make sense of it, but JG Ballard foretold everything we are living through now

An Englishman drives into a new town and can’t see the warning signs. Richard Pearson is visiting Surrey to close down his late father’s home and settle his affairs and, everywhere he looks, the flag of St George is flying “from suburban gardens and filling stations and branch post offices”. How nice, he thinks, how festive.

Soon he learns the truth.

So runs the opening not of a recent piece of journalism, but a novel by JG Ballard, Kingdom Come, which despite being almost 20 years old anticipates today’s Britain with eerie precision. In the mid-2000s, Pearson reads up on his new surroundings, only to find the same headlines that assail us in the mid-2020s: “Every day the local newspaper reported attacks on an asylum hotel, the torching of a Bangladeshi takeaway, injuries to a Kosovan youth thrown over the fence into an industrial estate.”

Aditya Chakrabortty is a Guardian columnist

From Hannah Hampton to Lando Norris, our experts give their view on why each nominee is a worthy winner

No sporting event in 2025 gripped England quite like the Lionesses’ Euros success and that euphoria would not have happened without Hannah Hampton’s saves. Long before Hampton dived the correct way to stop two Spain penalties in the final, including one from the world’s best player Aitana Bonmatí, she had produced heroics, without which the team would have flown home disappointingly early.

Panto season is upon us, and for the performers, anything could happen. Actors recall their most excruciating moments – from a panic attack while dressed as a cow, to dripping blood while in flight as Peter Pan

When panto goes wrong, the show must always go on. And there is a lot that could go wrong: malfunctioning pyrotechnics, panic attacks, chafing thighs, broken props, broken bones, bruised egos – and that’s before you get live animals involved. Missed cues and forgotten lines are small potatoes by comparison. So with panto season once again in full swing, we speak to seasoned professionals about the exhausting, error-laden, explosive truth behind the most “magical” season of the year.

Adam Buksh played The Genie in Aladdin at Howden Park Centre, Livingston, West Lothian, in 2013
It was halfway through the show when Aladdin got trapped in the cave. Our version was based on the original story, One Thousand and One Nights (not Disney’s), in which Aladdin possesses two magical entities: a powerful Genie of the Lamp (me) and Scheherazade, Genie of the Ring. I was on stage with Aladdin and Scheherazade, using my magic to smash the ring and break the evil sorcerer’s curse. For dramatic purposes, we used a handheld pyrotechnic which was similar to a little lighter with a wheel flint, but made of metal. I would use it to break the ring and free Aladdin from the cave.

The molluscs are decimating food chains in Switzerland, have devastated the Great Lakes in the US, and this week were spotted in Northern Ireland for the first time

Like cholesterol clogging up an artery, it took just a couple of years for the quagga mussels to infiltrate the 5km (3-mile) highway of pipes under the Swiss Federal Technology Institute of Lausanne (EPFL). By the time anyone realised what was going on, it was too late. The power of some heat exchangers had dropped by a third, blocked with ground-up shells.

The air conditioning faltered, and buildings that should have been less than 24C in the summer heat couldn’t get below 26 to 27C. The invasive mollusc had infiltrated pipes that suck cold water from a depth of 75 metres (250ft) in Lake Geneva to cool buildings. “It’s an open invasion,” says Mathurin Dupanier, utilities operations manager at EPFL.

Mathurin Dupanier indicates the water cooling systems that were blocked by the invasive quagga mussels. Photographs: Phoebe Weston/the Guardian; École Polytechnique Fédérale de Lausanne

As his 1981 film is rereleased, the director talks about his Oscar-winning fable about an actor’s Faustian pact with the Nazi party – and its new relevance

At the 54th Academy Awards, in 1982, Chariots of Fire was imperial, and Katharine Hepburn broke records. Less remembered today is a darkly brilliant European film about a stage actor in Nazi Germany that went home from the ceremony with the best international feature prize. Mephisto, directed by István Szabó, was the first ever Hungarian film to do so.

“The moment took me by surprise,” remembers Szabó, 87, four decades later. “I didn’t expect it.” Visibly elated on the live broadcast as he took to the stage, Szabó today says that he “knew this award wasn’t just mine, but also Brandauer’s”, meaning the film’s electrifying lead actor, and the largely Hungarian crew “who contributed with their talent to the making of the film”.

Teachers to be given extra training as Keir Starmer warns ‘toxic ideas are taking hold early and going unchallenged’

• David Lammy: I want my sons to know masculinity can be kind – and my daughter to live without fear

Children as young as 11 who demonstrate misogynistic behaviour will be taught the difference between pornography and real relationships, as part of a multimillion-pound investment to tackle misogyny in England’s schools, the Guardian understands.

On the eve of the government publishing its long-awaited strategy to halve violence against women and girls (VAWG) in a decade, David Lammy told the Guardian that the battle “begins with how we raise our boys”, adding that toxic masculinity and keeping girls and women safe were “bound together”.

Preventing young men being harmed by “manosphere” influencers such as Andrew Tate.

Stopping abusers in England and Wales through measures such as dedicated rape and sexual offences teams and enforceable domestic abuse protection orders.

£550m of funding to support victims.

European leaders meet in Brussels as Poland’s Donald Tusk issues warning to fellow EU states

The European Council president António Costa is clear that the talks will go on for as long as it’s needed to get an agreement.

He seeks to maintain a largely neutral position, but says:

Exclusive: UK government’s ‘naive belief’ that Trump is a good faith actor ‘could cost UK taxpayer billions’, says health select committee chair

Ministers and senior MPs have warned that the UK’s agreements with Donald Trump are “built on sand” after the Guardian established that the deal to avoid drug tariffs has no underlying text beyond limited headline terms.

The “milestone” US-UK deal announced this month on pharmaceuticals, which will mean the NHS pays more for medicines in exchange for a promise of zero tariffs on the industry, still lacks a legal footing beyond top lines contained in two government press releases.

Forecast is slightly cooler than the record 1.55C reached in 2024, but 2026 set to be among four hottest years since 1850

Next year will bring heat more than 1.4C above preindustrial levels, meteorologists project, as fossil fuel pollution continues to bake the Earth and fuel extreme weather.

The UK Met Office’s central forecast is slightly cooler than the 1.55C reached in 2024, the warmest year on record, but 2026 is set to be among the four hottest years dating back to 1850.